Performance

(works directed and choreographed by others; does not represent number of performances or frequency of touring)

2019

EN MASSE / NEW WORK IN DEVELOPMENTchoreographer Pavel Zuštiak at The Great Jones Studios at La MaMa in Manhattan.

Transmuting, choreographers Nattie Trogdon & Hollis Bartlett for “Tuning Bodies” at the Jack Crystal Theatre in Manhattan.

BASTARDS: We are all Illegitimate Children, choreographer Moriah Evans for “In Conversation with Merce” at NYU Skirball Center, Manhattan.

Daphnis & Chloé, choreographer Christopher Williams for “Works and Process: Reid Bartelme and Harriet Jung” at the Solomon R. Guggenheim Museum, Manhattan.

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Cyril Baldy, Carlo Antonio Villanueva, and Silas Riener in Moriah Evans’s BASTARDS:  We are all Illegitimate Children (2019)

2018

O.O.F. 3.0 (studies in the opposite of fear), choreographer Parijat Desai at Center for Performance Research in Brooklyn.

Analogy Trilogy Marathon, Bill T. Jones/ Arnie Zane Company. First performed at Skirball Center, Manhattan, New York, US.

Mandala, choreographer Keely Garfield, as part of Live Ideas 2018 at New York Live Arts in Manhattan.

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Carlo Antonio Villanueva and Shaela Davis in Abby Zbikowski’s abandoned playground (2017)

2017

Ritual:Resist, South African/ Brussels-based artist Kendell Geers, for PERFORMA17 at WhiteBox in Manhattan, New York, US.

Hand Over Heels, Czech artist Barbora Kleinhamplová for Open Studios at Art in General in Brooklyn, New York, US.

SKYBOX, choreographer and visual artist Walter Dundervill, presented by New York Live Arts at Pioneer Works in Brooklyn, New York, US.

Analogy/Ambros: The Emigrant, Bill T. Jones/Arnie Zane Company, premiered in Jackson Hole, Wyoming, US.

abandoned playground, choreographer Abby Zbikowski/ Abby Z and the New Utility, at Abrons Arts Center in Manhattan, New York, US.

a solo by choreographer Ash Yergens for BAX UPSTART Festival at Brooklyn Arts Exchange, Brooklyn, New York, US.

Story/Time (2013), Bill T. Jones/ Arnie Zane Company. First performed at Granada Theatre, Santa Barbara, California, US.

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Talli Jackson and Carlo Antonio Villanueva in rehearsal for A Letter to My Nephew (2016), Bill T. Jones/Arnie Zane Company

2016

A Letter to My Nephew, Bill T. Jones/Arnie Zane Company. First performed at Singapore International Festival of Arts, Singapore.

Analogy/Lance: Pretty aka The Escape Artist, Bill T. Jones/Arnie Zane Company. Premiered American Dance Festival, North Carolina, US.

Analogy/Dora:  Tramontane, Bill T. Jones/ Arnie Zane Company. First performed at Eccles Center, Park City, Utah, US.

D-Man in the Waters (1989), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.

Story/ (2013), Bill T. Jones/ Arnie Zane Company. First performed at the Teatro Petruzzelli, Bari, Italy.

Ravel: Landscape or Portrait? (2012), Bill T. Jones/ Arnie Zane Company. First performed at Teatro Ponchielli, Cremona, Italy.

Spent Days Out Yonder (2000), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.

Continuous Replay (1997, revised 1991), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.

2015

development workshop with Bluemouth Inc. on their It Comes In Waves production

Sand Man Studies (I-VII), choreographer Kyle Georgina Marsh. Loree Dance Theater, New Brunswick, New Jersey, US.

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Carlo Antonio Villanueva and Alex Biegelson in Doug Elkins’ Trouble Will Find Me (2014)

2014

Recording, choreographer Kyle Marshall/ Kyle Marshall Choreography, Brooklyn Arts Exchange, Brooklyn, New York, US.

guest artist with John Zullo/ Raw Movement, The Dance Complex, Boston, Massachusetts, US.

Covariance (2004), choreographers Niv Sheinfeld & Oren Laor for 10 Hairy Legs.

Trouble Will Find Me, choreographer Doug Elkins for 10 Hairy Legs.

Bull (1994), choreographers David Dorfman and Dan Froot, set on 10 Hairy Legs.

a relatively sincere creation, choreographer Miriam Gabriel. Crossroads Theater. New Brunswick, New Jersey, US.

2013

Together We Stand, choreographer Manuel Vignoulle for 10 Hairy Legs.

Friends of Dorothy (excerpt), choreographer David Parker/The Bang Group for 10 Hairy Legs.

a trio with choreographer Sarah Lifson. Green Space, Long Island City, New York, US.

Endured Lull (1993), choreographer Randy James for 10 Hairy Legs.

Sal de Bain, choreographer Julie Bour for University DanceWorks. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

choreography by Hayden Katz, Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

choreography by Robert Foerster, Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

2012

Urbania, choreographer Smadar Goshen. Suzanne Dellal Center, Tel Aviv, Israel.

Light Years (2010, excerpt), choreographer Jacopo Godani, restaged by Oryan Yohanan. Suzanne Dellal Center, Tel Aviv, Israel.

Matter of a Maker (excerpt), choreographer Crystal Pite, restaged by Sharon Vazanna. Suzanne Dellal Center, Tel Aviv, Israel.

Wrapped (excerpt), choreography by Inbal Pinto & Avshalom Pollack, restaged by Melanie Berson. Suzanne Dellal Center, Tel Aviv, Israel.

2011

White Noise (excerpt), choreography by Noa Wertheim, workshopped by Vova Zak. Jersualem Academy of Music and Dance, Jerusalem.

A Signifyin’ Monkey, choreographer Doug Elkins. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

Songs Unseen, choreographer Raegan Wood. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

2010

Mason Gross School of the Arts Water Parade, choreographer Meagan Woods. Various sites across the Mason Gross School of the Arts.

parts… as yet…, choreographer John Evans. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

Six Degrees of Separation, choreographer Julie Bour. Dance New Amsterdam Theater, Manhattan, New York, US.

Protein Spill, choreographer Randy James. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

Pillar of Salt II, choreographer Randy James. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

Still I Rise, choreographer Jay T Jenkins. Crossroads Theater, New Brunswick, New Jersey, US.

Always Open, Always Closed, choreography Julia Ritter. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.

2008

On a Breath, Santa Clara Vanguard Winterguard. Show design by Jon Vanderkolff. Choreography by Jim Moore and Carol Abohatab.

2007

Winged Victory, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.

Flurry, Fantasia Winterguard. Show and sound design by Karl Lowe. Choreography by Mykail Costner.

2006

The Godfather, Part Blue, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.

Lullaby and Goodnight, Fantasia Winterguard. Show and sound design by Karl Lowe. Choreography by Mykail Costner.

2005

Dance Derby of the Century, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.

an indoor production with Academy Winterguard. Show design and choreography by Porfirio Gomez and Liza Noriega.

2004

Living with The Past, The Cadets Drum and Bugle Corps. Guard direction by April Gilligan. Choreography by Greg Lagola and Travis Estler.

Perceptual Distortion:  A Study in Deception, Alter Ego Color Guard. Choreography by Sebastian Galleguillos.

 

PHOTOS:  Ian Douglas; Effy Falck; Bernie Ng for The Straits Times; Andrea Mohin for The New York Times