This page lists works in which Carlo has performed.
2022
Weathering, choreographer Faye Driscoll for the Pillow Lab: Dance Residency Program at Jacob’s Pillow in Becket, MA. December 17.
Les Sylphides (2022, excerpt), The Portuguese Suite (2006, excerpt), A Child’s Tale (work in progress); choreographer Christopher Williams for Studio Series at Whitman College in Walla Walla, WA. December 3.
Last Dance, Lost Dance, directed by Carlo Antonio Villanueva, and presented in the Fall MFA Dance Thesis Concert at the University of Maryland. November 17-20.
The Disco Project Remix, choreographer Neil Greenberg at the New York City AIDS Memorial, for live performance events curated by Nick Hallett. July 21-23.
The Afternoon of a Faun and Les Sylphides, choreographer Christopher Williams for his debut season at The Joyce Theater in New York City. June 28 to July 3.
Experiential Pop-Up, Stephen Petronio Company for HBO’s Westworld on The High Line in New York City. June 18.
Innate, choreographer Marielis Garcia and costume designers Becca Janney, Cody Von Ruden, and Ash Ludwig for “Collaboration Through Puppetry in the 21st Century” at the School of Theater, Dance, and Performance Studies at the University of Maryland. April 9.
On Display, choreographer Heidi Latsky for the 2022 International Workshop on the Neural and Social Bases of Creative Movement at Wolf Trap Foundation for the Performing Arts in Vienna, Virginia. April 9.
On Display, choreographer Heidi Latsky at McKeldin Mall at the University of Maryland. April 8.
re/moving maria clara. choreography and improvisation by Carlo Antonio Villanueva, for the Experimental Performance Series at the University of Maryland. April 1-2.
Finally, Fairies!, choreographer Tristan Koepke for the Spring MFA Dance Thesis Concert at the University of Maryland. March 11-13.
natürliches sparkle, natürlich, choreography by Carlo Antonio Villanueva after a collaboration with Miriam Gabriel, presented in the Experimental Performance Series at the University of Maryland. February 11-12.
2021
The Last Plan, choreographer Tariq D. O’Meally for the Northern Virginia Fine Arts Festival in Reston, Virginia, US.
REPOSE, choreographer Moriah Evans for Beach Sessions Dance Series at Rockaway Beach in Queens, New York, US.
press: At Rockaway, Dancing for the Sea, the Sky, the Sand and the Birds; Best Dance of 2021
We meet again in North East Maryland., created by Miriam Gabriel and Carlo Antonio Villanueva for TDPS Second Season in College Park, Maryland, US.
mutual luciding, created by Motasem Siam and Carlo Antonio Villanueva for the Keep the Light On Performance Series at Dance Place, Washington, D.C., US.
The Problem, a rumination on Deep Blue Sea by Bill T. Jones for the Holland Festival in Amsterdam, The Netherlands.
video
2020
The Afternoon of a Faun and Les Sylphides, choreographer Christopher Williams at The Joyce Theater in New York City.
POSTPONED DUE TO COVID-19
ROPE (2016), choreographer Brendan Drake for DANCE NOW 25th Anniversary Season Kick-Off/ 2020 Shared Artist Series at Joe’s Pub at The Public in New York City.
CANCELLED DUE TO COVID-19
CU*T C*NTEMPORARY (Live Feed In-Process Showing), choreographer Ashley R.T. Yergens at New York Live Arts in New York City.
CANCELLED DUE TO COVID-19
DARLING, choreographer Helen Simoneau/ Helen Simoneau Danse at Hanesbrands Theater, Winston-Salem, North Carolina, US.
ELLEN WEST, director Emma Griffin/ composer Ricky Ian Gordan/ poet Frank Bidart for PROTOTYPE Festival in New York City.
2019
NEIGHBORS, choreographer Jordan Demetrius Lloyd for Fresh Tracks at New York Live Arts in Manhattan.
EN MASSE / NEW WORK IN DEVELOPMENT, choreographer Pavel Zuštiak at The Great Jones Studios at La MaMa in Manhattan.
Transmuting, choreographers Nattie Trogdon & Hollis Bartlett for “Tuning Bodies” at the Jack Crystal Theatre in Manhattan.
BASTARDS: We are all Illegitimate Children, choreographer Moriah Evans for “In Conversation with Merce” at NYU Skirball Center, Manhattan.
Daphnis & Chloé, choreographer Christopher Williams for “Works and Process: Reid Bartelme and Harriet Jung” at the Solomon R. Guggenheim Museum, Manhattan.
Hystera Theater, mixed-media installation by art collective My Barbarian (Malik Gaines, Jade Gordon and Alejandro Segade).
2018
O.O.F. 3.0 (studies in the opposite of fear), choreographer Parijat Desai at Center for Performance Research in Brooklyn.
Analogy Trilogy Marathon, Bill T. Jones/ Arnie Zane Company. First performed at Skirball Center, Manhattan, New York, US.
Mandala, choreographer Keely Garfield, as part of Live Ideas 2018 at New York Live Arts in Manhattan.
2017
Ritual:Resist, South African/ Brussels-based artist Kendell Geers, for PERFORMA17 at WhiteBox in Manhattan, New York, US.
video
Hand Over Heels, Czech artist Barbora Kleinhamplová for Open Studios at Art in General in Brooklyn, New York, US.
SKYBOX, choreographer and visual artist Walter Dundervill, presented by New York Live Arts at Pioneer Works in Brooklyn, New York, US.
Analogy/Ambros: The Emigrant, Bill T. Jones/ Arnie Zane Company, premiered in Jackson Hole, Wyoming, US.
abandoned playground, choreographer Abby Zbikowski/ Abby Z and the New Utility, at Abrons Arts Center in Manhattan, New York, US.
a solo by choreographer Ash Yergens for BAX UPSTART Festival at Brooklyn Arts Exchange, Brooklyn, New York, US.
Story/Time (2013), Bill T. Jones/ Arnie Zane Company. First performed at Granada Theatre, Santa Barbara, California, US.
2016
A Letter to My Nephew, Bill T. Jones/ Arnie Zane Company. First performed at Singapore International Festival of Arts, Singapore.
Analogy/Lance: Pretty aka The Escape Artist, Bill T. Jones/ Arnie Zane Company. Premiered American Dance Festival, North Carolina, US.
Analogy/Dora: Tramontane, Bill T. Jones/ Arnie Zane Company. First performed at Eccles Center, Park City, Utah, US.
D-Man in the Waters (1989), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.
Story/ (2013), Bill T. Jones/ Arnie Zane Company. First performed at the Teatro Petruzzelli, Bari, Italy.
Ravel: Landscape or Portrait? (2012), Bill T. Jones/ Arnie Zane Company. First performed at Teatro Ponchielli, Cremona, Italy.
Spent Days Out Yonder (2000), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.
Continuous Replay (1997, revised 1991), Bill T. Jones/ Arnie Zane Company. First performed at Merrill Auditorium, Portland, Maine, US.
2015
development workshop with Bluemouth Inc. on their It Comes In Waves production
Sand Man Studies (I-VII), choreographer Kyle Georgina Marsh. Loree Dance Theater, New Brunswick, New Jersey, US.
2014
Recording, choreographer Kyle Marshall/ Kyle Marshall Choreography, Brooklyn Arts Exchange, Brooklyn, New York, US.
guest artist with John Zullo/ Raw Movement, The Dance Complex, Boston, Massachusetts, US.
Covariance (2004), choreographers Niv Sheinfeld & Oren Laor for 10 Hairy Legs.
Trouble Will Find Me, choreographer Doug Elkins for 10 Hairy Legs.
Bull (1994), choreographers David Dorfman and Dan Froot, set on 10 Hairy Legs.
a relatively sincere creation, choreographer Miriam Gabriel. Crossroads Theater. New Brunswick, New Jersey, US.
2013
Together We Stand, choreographer Manuel Vignoulle for 10 Hairy Legs.
Friends of Dorothy (excerpt), choreographer David Parker/The Bang Group for 10 Hairy Legs.
a trio with choreographer Sarah Lifson. Green Space, Long Island City, New York, US.
Endured Lull (1993), choreographer Randy James for 10 Hairy Legs.
Sal de Bain, choreographer Julie Bour for University DanceWorks. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
choreography by Hayden Katz, Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
choreography by Robert Foerster, Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
2012
Urbania, choreographer Smadar Goshen. Suzanne Dellal Center, Tel Aviv, Israel.
Light Years (2010, excerpt), choreographer Jacopo Godani, restaged by Oryan Yohanan. Suzanne Dellal Center, Tel Aviv, Israel.
Matter of a Maker (excerpt), choreographer Crystal Pite, restaged by Sharon Vazanna. Suzanne Dellal Center, Tel Aviv, Israel.
Wrapped (excerpt), choreography by Inbal Pinto & Avshalom Pollack, restaged by Melanie Berson. Suzanne Dellal Center, Tel Aviv, Israel.
2011
White Noise (excerpt), choreography by Noa Wertheim, workshopped by Vova Zak. Jersualem Academy of Music and Dance, Jerusalem.
A Signifyin’ Monkey, choreographer Doug Elkins. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
Songs Unseen, choreographer Raegan Wood. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
2010
Mason Gross School of the Arts Water Parade, choreographer Meagan Woods. Various sites across the Mason Gross School of the Arts.
parts… as yet…, choreographer John Evans. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
Six Degrees of Separation, choreographer Julie Bour. Dance New Amsterdam Theater, Manhattan, New York, US.
Protein Spill, choreographer Randy James. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
Pillar of Salt II, choreographer Randy James. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
Still I Rise, choreographer Jay T Jenkins. Crossroads Theater, New Brunswick, New Jersey, US.
Always Open, Always Closed, choreography Julia Ritter. Victoria J. Mastrobuono Theater, New Brunswick, New Jersey, US.
2008
On a Breath, Santa Clara Vanguard Winterguard. Show design by Jon Vanderkolff. Choreography by Jim Moore and Carol Abohatab.
2007
Winged Victory, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.
Flurry, Fantasia Winterguard. Show and sound design by Karl Lowe. Choreography by Mykail Costner.
2006
The Godfather, Part Blue, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.
Lullaby and Goodnight, Fantasia Winterguard. Show and sound design by Karl Lowe. Choreography by Mykail Costner.
2005
Dance Derby of the Century, Blue Devils Drum and Bugle Corps. Costume, choreography, and visual design by Scott Chandler.
an indoor production with Academy Winterguard. Show design and choreography by Porfirio Gomez and Liza Noriega.
2004
Living with The Past, The Cadets Drum and Bugle Corps. Guard direction by April Gilligan. Choreography by Greg Lagola and Travis Estler.
Perceptual Distortion: A Study in Deception, Alter Ego Color Guard. Choreography by Sebastian Galleguillos.
PHOTOS: Jonathan Hsu; Tony Turner; Maria Baranova; Ian Douglas; Effy Falck; Bernie Ng for The Straits Times; Andrea Mohin for The New York Times
Carlo Antonio Villanueva 